If the GH5S outperforms the A7S II, why do you care how much it beats the RX100 or RX10? Substantial loss of [stills] resolution prioritizes video? The LUMIX GH5s is built like a tank to withstand heavy use. This additional pixel-level dynamic range is the reason the GH5S needs to offer 14-bit Raw files: because you need the extra bit-depth to provide room for that additional dynamic range. The Panasonic Lumix DC-GH5S is supplied by Ashton Little at www.ashtonlittle.com. In the meantime, I'll see if our database can cope with calling a 19.3 x something sensor 'Four Thirds Type.'. AFS/MF: H: 11 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. This has the side-effect that, which mounted on a professional stabilization rig, there's a risk of the sensor being shaken around. Because this camera is so complex and video is so different from stills, this seems like a good opportunity to throw a spot of work to Alan Roberts and get a proper evaluation of the video. The a7S II is the other video-focused (but still stills-capable) ILC on the market. Exposure X6 is the latest Adobe Lightroom competitor from Exposure Software. "The fastest FF zooms are F2.8, but with a speedbooster and an APSC F1.8 zoom the equivalent aperture for the zoom is about F2.5.". I'll be the first to admit I'm not especially familiar with Resolve but it was the s/w I had access to that reported data values, rather than IRE (or appeared to). You raise an excellent point about the drawbacks of shooting Log. The a7R III is an interesting comparison. Why? You taught me several things I didn't know about Resolve and also tested a few things in ways I hadn't thought of. Can't wait... That's the drawback of over-interpreting still grabs from video: they tell you about how the camera is sampling its sensor, some information about detail capture and sharpening but nothing about the codec: how it retains information about motion, how effective the temporal noise reduction is, etc... (We're working on a way to address this, but it takes some time). The world is changing. The GH5s photo specs are not attractive. Even then, does not the GH5 and G9 extol far more virtues than the GH5S at a much lower cost? Absolutely love this camera!! Compared to GH5, the Lumix GH5s has a newly designed chip which has half the megapixel count, now only 10.2 MP—making Panasonic the only brand to take a hybrid camera in another direction. That reviews are subjective (which they are, by definition) is hardly a a secret, so 'admit' is entirely the wrong word. Panasonic Leica 200mm f/2.8 ($2,997): This Panasonic Leica 200mm f/2.8 is a big 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling.With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. The appearance of a sensor clearly optimized for video, in a camera with the most videocentric feature set we've ever tested, strongly suggests the reason for this pixel count is video. Panasonic have the G9 and GH5 fur everyone else. There is many camera with phase detect sensor and ibis for a lot less than GH5S. Those who want portability like myself, the initial promise of MFT, will get a 1 inch camera and be happy. After two days of shooting GH5s in Dubai, I've stumbled across two problems. GH5S, no. You can't hold all cameras to the same yardstick because they're not all meant to offer the same things to the same people. Forgive my ignorance, but what is the advantage of this beast overs aPanasonic HC-VXF990 4K Camcorder at a third of the the price?Interchangeable lenses I get, but what else am I missing? This camera can go everywhere you can. what are we looking for, here? The GH5S uses a chip that natively shoots DCI or UHD 4K, meaning one pixel on the sensor is used to produce each pixel in the final footage. Maybe this would work for gh5s/gh5. Capture even the fastest moving action thanks to DFD (Depth From Defocus) technology. Once made and assembled it should make film copying much quicker and easier. The Three-Dimensional Color Control zings with rich colors from dark to bright shades and high-precision Multi-Process NR makes your images pop even at high ISO sensitivity settings. Its stills feature set is essentially the by-product of it sharing hardware with the GH5. Right? Now, to greatly extend your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever**, includes Cinema 4K (C4K: 4096 x 2160) 60p/50p* video recording . You cannot even punch in for magnification while recording. Too bad the G9 doesn't have those. You can choose your own award. EASA recently passed a uniform set of rules for commercial and hobbyist drone pilots. Maybe the Gh6 will be capable of 14 bit 4k raw internally...;). With RAW, we can have the latitude to move our exposure up and down the latitude scale a bit, after the fact. While some say it beats the Sony A7SII and others say “it does not”, one thing is sure: never a Micro Four Thirds sensor went this far. More and more phone have phase detect actually. . Sorry if I'm wrong but my limited stills brain can only comprehend stills. 60 min (rear monitor), 55 min (LVF) with H-FS12060, JPEG (DCF, Exif 2.31), RAW (14-bit / 12-bit), MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)). I did some testing with the GH5 last night and HLG is definitely recording in a “Limited” space. Both are simply outstanding but the ISO 3200 is exceptionally intriguing. The conclusion explains the logic behind the award and makes clear the limitations compared with other cameras (at things it's not meant to do). The cost to benefit ratio of building a new line of larger sensored cameras, just to please a handful of fanatics who don't understand the benefits of what they produce, must be horrendous. There is clearly a market for cameras that are based on stills cameras but then used exclusively for video. The A7r3 stays sharp all the way up to ISO 25,600...would logically assume = or > results from A6500 since it's 6K oversampled 4K (vs 5K oversampled 4K on A7r3) on same APS-C sensor size. Simultaneous record mode duplicates your recording on both cards. The act should make pursuing infringements much easier and realistic for individuals and small photo businesses. But features are not benefits all by themselves. This sensor actually uses more than its full frame too... Because they're extremely heavily invested in m4/3, being one of the two founders of the 4/3 platform and producing a large number of lenses for this format. Panasonic made the camera of the year with the LUMIX GH5S. *** For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as"4K compatible". Because you mention that GH5S main target audience is filmmaker, I do not understand how this camera, which also does not have any stabiliser, could afford a Gold Award. RAW, RAW+Fine, RAW+Standard, Fine, Standard *RAW bit size is selectable from 14-bit or 12-bit. If the scene you are recording does not exceed the dynamic range that the camera can capture then giving up some dynamic range shouldn't be a big deal. All rights reserved. With a 3:2 FF sensor, when you shoot DCI 4K, you've got a 1.06x crop factor. Why does it matter about the sensor size? Panasonic's LUMIX Image App for Android / iOS through Bluetooth 4.2 (Low Energy) enables remote shutter release, and video record Start / Stop. It's a complex topic and took me some time to grasp. When autocomplete results are available use up and down arrows to review and enter to select. But the multi-aspect sensor and different base ISOs of the GH5s should be part of a more still-oriented camera. It selects noisier pixel data at the extremes over pixel data in the middle. Canon 6D is used more for astrophotography, 4/3 is not a good option for low light photographers, can any body suggest me best DSLR under $ 10K, please https://www.kuchvi.in/it/digitalmarketing.php. (24p may not work). My camera was experiencing this kind of problem for about half an hour. Film-enthusiast website Studio C-41 takes us on a tour of the Kodak film plant in Rochester NY, with some behind-the-scenes footage of how film is made. 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A7S II is the region used for 4:3 images or video but it 's actually regular m43 sensor and base!